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Karma Man (Unplugged & Somewhat Slightly Electric Mix)Ĭonversation Piece(Unplugged & Somewhat Slightly Electric Mix) The London Boys (Unplugged & Somewhat Slightly Electric Mix) You've Got A Habit Of Leaving (Unplugged & Somewhat Slightly Electric Mix) I Dig Everything (Unplugged & Somewhat Slightly Electric Mix)
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In The Heat Of The Morning (Unplugged & Somewhat Slightly Electric Mix) Toy (Your Turn To Drive) (alternative Mix) You've Got A Habit Of Leaving (alternative Mix)Ĭan't Help Thinking About Me (alternative Mix) In the interim, David did what he did best he moved on to something new, which began with a handful of new songs from the same sessions and ultimately became the album HEATHEN, released in 2002 and now acknowledged as one of his finest moments. Unfortunately, in 2001 the concept of the ‘surprise drop’ album release and the technology to support it were still quite a few years off, making it impossible to release TOY, as the album was now named, out to fans as instantly as David wanted. David planned to record the album ‘old school’ with the band playing live, choose the best takes and then release it as soon as humanly possible in a remarkably prescient manner. Bowie entered the studio with his band, Mark Plati, Sterling Campbell, Gail Ann Dorsey, Earl Slick, Mike Garson, Holly Palmer and Emm Gryner, to record new interpretations of songs he’d first recorded from 1964-1971. TOY was recorded following David's triumphant Glastonbury 2000 performance.
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The package also contains a 16-page full-colour book featuring previously unseen photographs by Frank Ockenfels 3. The ‘capture the moment’ approach of the recording sessions are extended to the sleeve artwork designed by Bowie featuring a photo of him as a baby with a contemporary face. Available in six 10” vinyl versions and 3CD, TOY:BOX is a special edition of the TOY album. The previously unreleased TOY album will be released on 7th January 2022, the day before David Bowie’s birthday. Parlophone Records/ISO Records are proud to announce TOY:BOX. Although, long-term fans will be relieved to note that Marconi Union decline to enlighten us on what all this means. It Is both ironic and yet somehow so right, that a group so regularly described as ‘enigmatic’ should make an album that alludes to communication.
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The one-word title is both mysterious and evocative, suggesting a multitude of images that range from high-tech electronic messaging to ghostly abandoned radio stations and even that most basic level of human expression, body language. Signals combines synthetic textures with organic sound, and merges the familiar with the unknown, transporting the listener deep into their imagination. ‘We were quite inspired by various players like Jaki Liebezeit, Clive Deamer and Tony Allen and tried to imagine what our music would sound like with them playing on it.’ However, it turns out that Signals was actually informed by the bands’ admiration of a number of different drummers and this played a significant part in helping shape its sound. ‘In some respects Signals is a more traditional songwriting album than anything we’ve done before, but it draws on the same techniques we’ve used on our previous albums’Īfter their previous album, the largely beat-less Dead Air, one might think that Marconi Union would be primarily influenced by synth players or guitarists. Despite having released twelve albums in the last eighteen years they continue to experiment and push boundaries. Signals is the latest addition to Marconi Union’s highly acclaimed discography. The Manchester band often draw comparisons with Brian Eno and Biosphere, perhaps Sigur Ros, but the graceful manner with which their richly melodic compositions unfold and the emotion these evoke sets them apart from their peers. Marconi Union are considered one of the leading ambient and electronic-synth acts in the world, continuously topping many lists as the most important contemporary ambient artists around today.